The New York Times investigation confirmed that Israel's government coordinated a broader campaign to influence Eurovision voting than previously disclosed, including formal pressure on broadcasters and social media voting manipulation by the Israeli public broadcaster KAN. Eurovision organizers issued a formal warning to KAN after discovering promotional videos encouraging viewers to vote multiple times for Israel's entry. The campaign reflects how countries increasingly weaponize soft-power tools like international competitions during geopolitical crises, though the framing here emphasizes Israel's efforts without similar depth on boycott organizers' own coordination strategies.